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University of Gothenburg, Department of Cultural Sciences, Faculty Member. Download Read "Andrei Tarkovsky's Sounding Cinema Music and Meaning from Solaris to The Sacrifice" by Tobias Pontara available from Rakuten Kobo. Andrei Tarkovsky's Sounding Cinema adds a new dimension to our understanding and appreciation of the work of Russian dir Stanford Libraries' official online search tool for books, media, journals, databases, government documents and more. Tobias Pontara Associate professor at Univerity of Gothenburg Beethoven Overcome: Romantic and Extstentialist Utopia in Andrei Tarkovsky's Stalker 19th-Century Music 1 januari 2011. Andrei Tarkovsky s Sounding Cinema by Tobias Pontara Andrei Tarkovsky's Sounding Cinema adds a new dimension to our understanding and appreciation of the work of Russian director Andrei Tarkovsky (1932–1986) through an exploration of the presence of music and sound in his films. Music and Meaning from Solaris to The Sacrifice, Andrei Tarkovsky's Sounding Cinema, Tobias Pontara, Routledge.
[206pp. ISBN: 9780367277291. $124 Among directors, Tarkovsky has become a godlike figure, his signature motifs imitated to the point of becoming clichés. He is the chief exemplar of what is sometimes called slow cinema, in which Tobias Pontara is Professor in Musicology at the University of Gothenburg, Sweden. Pontara’s research lies at the intersection between cultural studies, philosophical aesthetics, and film music studies.
Andrei Tarkovsky's Sounding Cinema: Music and Meaning from Solaris to The Sacrifice (Music and Sound on the International Screen) by Tobias Pontara | Dec 11, 2019 Kindle The very last scene of Andrei Tarkovsky's film Stalker (1979) portrays a young girl who moves glasses around on a table just by fixing her eyes on them. As she performs this magical act the “Ode to
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About Tobias Pontara. Research.
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An 2021-02-15 · Pontara, in his absorbing study of Tarkovsky’s use of music and sound, shows how much of the spell of “Stalker” depends on its extraordinary audio track. Artemyev, who specialized in electronic composition before collaborating with Tarkovsky, devises a seething soundscape in which otherworldly ditties alternate with upwellings of noise. Abstract. The very last scene of Andrei Tarkovsky's film Stalker (1979) portrays a young girl who moves glasses around on a table just by fixing her eyes on them.
$124
Pontara’s research lies at the intersection between cultural studies, philosophical aesthetics, and film music studies. In Andrei Tarkovsky's Sounding Cinema (Routledge 2020) Pontara adds a new dimension to our understanding and appreciation of the work of Russian director Andrei Tarkovsky (1932–1986) through an exploration of the presence of music and sound in his films.
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In Andrei Tarkovsky's Sounding Cinema (Routledge 2020) Pontara adds a new dimension to our understanding and appreciation of the work of Russian director Andrei Tarkovsky (1932–1986) through an exploration of the presence of music and sound in his films. Andrei Tarkovsky's Sounding Cinema adds a new dimension to our understanding and appreciation of the work of Russian director Andrei Tarkovsky (1932-1986) through an exploration of the presence of music and sound in his films.The first comprehensive study in English concentrating on the soundtrack in Tarkovsky's cinema, this book reveals how Tarkovsky's use of electronic music, electronically Exploring the multilayered relationship between music, sound, film image and narrative space, Pontara provides penetrating and innovative close readings of Solaris (1972), Mirror (1975), Stalker (1979), Nostalghia (1983) and The Sacrifice (1986) and in turn deeply enriches critical understanding of Tarkovsky’s films and their relation to the broader traditions of European art cinema.
APA Pontara, T. Andrei Tarkovsky's sounding cinema : music and meaning from Solaris to The Sacrifice.. Chicago Pontara, Tobias, Andrei Tarkovsky's Sounding Cinema: Music and Meaning From Solaris to The Sacrifice.
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Download Movies and Meaning Books now!Available in PDF, EPUB, Mobi Format. Updated in a new 6th edition, Movies and Meaning is a comprehensive introduction to the film industry that focuses on three topics: how movies express meanings, how viewers understand those … Decomposing Heroism: Rolf Wilhelm's Music for Radetzkymarsch (1965) / Janina Müller and Tobias Plebuch --The Music of Sacrificial Acts: Displacement, Redemption, Beethoven and Verdi in Andrei Tarkovsky's Nostalghia (1983) / Tobias Pontara --Chopin meant everything to us then: Chopin Nostalgia in Polish Cinema, 1944-91 / Ewelina Boczkowska Our catalogue of journals. We use cookies to ensure you get the best experience on our website.
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